Sciencebogs.com interviewed author Isaac Marion. You can read an excerpt below, but for the entire thing, CLICK HERE.
Tara: Your take on zombies is a bit different than most stories. Obviously there’s the central idea that they can be “cured”–and they also talk and have friends. I saw in a previous interview that you said you’d kind of “stumbled” into the zombie genre and were not always a zombie geek. Can you describe your experience emerging as a bona fide zombie author, and what has the reaction to the book/movie been from the hard-core zombie community?
Isaac: The reaction has been pretty much split between two camps. Camp 1 is people who understand that a zombie is a fictional creature that has been portrayed differently, with different origins and different behavior, in pretty much every iteration and remains open to interpretation depending on the goals of the story in which it appears. That camp thinks its a great new idea and welcomes the unexpected shift in perspective that explores a lot of the unaddressed questions in zombie lore, while using the mythology to explore other, more human themes. Camp 2 is people who I don’t understand at all, who seem to think that zombies are real creatures that have been studied and defined by science, and that there are immutable “rules” to how they should function in fiction. These people tend to ignore the fact that every major work in the canon of zombie mythology has redefined what zombies are. First, they were regular people brainwashed by Haitian voodoo powder. (White Zombie.) Then they were corpses reanimated by mysterious cosmic radiation. (Night of the Living Dead.) Then they were regular people driven insane by a virus. (28 Days Later and onward.) In the midst of all this, we saw zombies with lingering consciousness who responded to music and speech (“Bub” in Day of the Dead) self-aware zombies capable of independent thought and even leadership (Land of the Dead) and yes, zombies who fall in love. (Fido.) I don’t really know what it means to be part of a “zombie community” but I’m certainly well familiar with the “genre” if all stories about a certain creature can be lumped into one genre. (Why is “Dragon” not a genre? Why is there no “Robot genre”? I don’t even think “Vampire” is considered its own genre.) My roots run pretty deep into geekdom, so it’s not like I just decided “I think I’ll write a zombie novel” and then had to research what the fuss was all about.